classical – Harp – Melbourne
classical – Harp – Melbourne (CODE – 786A )
Make any special event truly memorable with the enchanting timbre of the harp.
Jess can provide music for; weddings, parties, social and corporate events.
The harp’s exquisite unique sound can range from ethereal and light to festive and exultant, making it flexible to enhance every aspect of your event. Whether your plans are elegant, traditional or contemporary, the harp will provide an uplifting and sophisticated ambience for your guests.
Australian harpist Jessica is an active solo recitalist and soloist with orchestra. Her playing displays a commanding poise and with an on-stage presence which reflects her endearing personality, her performances are truly captivating. Jess has a passion for showing the true versatile nature of the harp in both classic and contemporary music, performing in a variety of genres including; orchestral, classical, jazz, contemporary, world music, and improvisation.
As well as performing at hundreds of weddings, Jess been invited to perform at a number of esteemed functions some highlights include: the opening of the Margaret Pratt foundation, private functions for Dame Elisabeth Murdoch and the esteemed Athenaeum Club, an Australian tour with international cabaret performer Meow Meow, events the Perth International Arts Festival, events the Melbourne International Festival, events at Rod Laver Arena, promotional material for FOX FM’s Hamish and Andy and the band U2, soloist at the 53rd General Assembly of the World Federation of the International Music Competitions at the Melbourne Recital Centre.
Jess has also been principal harpist of a number of orchestra’s including: The Melbourne Chamber Orchestra, Australian National Academy of Music Smphony Orchestra, The Melbourne Conservatorium of Ballet Orchestra, Preston Symphony Orchestra and Melbourne University Symphony Orhcetsra
Please also enquire about duo/trio options with flute, violin, cello or voice
Classical – opera – Opera – Cabaret – Melbourne
Classical – opera – Opera – Cabaret – Melbourne (CODE – 789B )
Direct from the “Australia’s Got Talent” Grand Final Stage, David is set to take his music to his Australian supporters.
The unique and creative musical style can be attributed to the many genres of music which has influenced David over the years
Born a son of a Neapolitan Opera Singer, David’s first taste of music was passionate to say the least, including wonderful renditions of “O Sole Mio”, “Nessun Dorma” and many more
At age 4, David persisted to have a suit like his fathers so he could perform on stage by his father’s side, and continues to do today some thirty years later
Childhood saw many years studying Classical Piano filling the young mind with the artistic processes of Bach, Mozart and Paganini. It was at this young age that examiners had discovered his rare talent of obtaining “Perfect Pitch” and reciting enormous sonatas without music. It was also at this time that his creative flare for composition was spawned with the birth of the song “Don’t Leave without Goodbye”, which went on to win two prizes at music festivals in his home town
His adolescence was graced with the thunderous hard rock era of the 80’s which was greeted with open arms by this young and aspiring musician. It was this style of music that saw a long fascination with the birth of rock from the Beatles, Led Zeppelin and Jimmy Hendrix. On his 18th Birthday David De Vito saved up to buy his very first electric guitar, which he still has today.
Teaching himself the guitar, David’s musical palate broadened even further, adding another dimension to his already eclectic writing style. We see this in his song “Come Along” where David played every instrument on the track; piano, organ acoustic/electric guitar, drums, bass backing vocals and of course lead vocals
David has been reported to having one of the most powerful voices ever recorded with a thunderous 152 decibels of power .The command over his voice is astonishing and evident in his rendition of “Nessun Dorma” as you will experience a vulnerability and sweet Pianissimo ( very quiet )in his delivery and a crescendo climatic goose bump finale`